Few cinematographers have had as decisive an impact on the cinematic medium as John Alton. Best known for his highly stylized film noir classics T-Men, He Walked by Night, and The Big Combo, Alton earned a reputation during the 1940s and 1950s as one of Hollywood's consummate craftsmen through his visual signature of crisp shadows and sculpted beams of light. No less renowned f...(展开全部)

Few cinematographers have had as decisive an impact on the cinematic medium as John Alton. Best known for his highly stylized film noir classics T-Men, He Walked by Night, and The Big Combo, Alton earned a reputation during the 1940s and 1950s as one of Hollywood's consummate craftsmen through his visual signature of crisp shadows and sculpted beams of light. No less renowned f...(展开全部)

Whatever your reason for writing, Peter Elbow has a "recipe" to guide you. A longtime proponent of "freewriting" (writing without stopping, for a preset amount of time), Elbow incorporates its use in a variety of ways. Have a limited amount of time? Spend half of it freewriting and half of it cleaning up your prose. Got all the time in the world (and only a vague sense of what ...(展开全部)

Through conversations held with fifteen of the most accomplished contemporary cinematographers, the authors explore the working world of the person who controls the visual look and style of a film.

Through conversations held with fifteen of the most accomplished contemporary cinematographers, the authors explore the working world of the person who controls the visual look and style of a film.

布莱德•托林斯基在全世界最好的乐手专供杂志《吉他世界》（Guitar World）担任首席编辑长达二十年。他采访、描述过大部分流行音乐史上最伟大的吉他手，包括埃里克•克拉普顿、B.B.金、爱德华•范海伦、杰克•怀特与杰夫•贝克。除了《光与影：吉米•佩奇谈话录》外，他还为英国创世纪出版社另写过两本精装艺术书籍：《经典亨德里克斯：终极亨德里克斯体验》与《脸孔乐队：1969——1975》。

布莱德•托林斯基在全世界最好的乐手专供杂志《吉他世界》（Guitar World）担任首席编辑长达二十年。他采访、描述过大部分流行音乐史上最伟大的吉他手，包括埃里克•克拉普顿、B.B.金、爱德华•范海伦、杰克•怀特与杰夫•贝克。除了《光与影：吉米•佩奇谈话录》外，他还为英国创世纪出版社另写过两本精装艺术书籍：《经典亨德里克斯：终极亨德里克斯体验》与《脸孔乐队：1969——1975》。